Submissions from 2024
Archaeology in Space: The Sampling Quadrangle Assemblages Research Experiment (SQuARE) on the International Space Station. Report 1: Squares 03 and 05, Justin St. P. Walsh, Shawn Graham, Alice C. Gorman, Chantal Brousseau, and Salma Abdullah
Submissions from 2023
The UK Museum Boom: Continuity and Change 1960-2019, Fiona Candlin, Andrea Ballatore, Jamie Larkin, Mark Liebenrood, Alexandra Poulovassilis, and Valeri Katerinchuk
Pyne, Lydia. Postcards: The Rise and Fall of the World’s First Social Network, Jamie Larkin
Museums, COVID-19 and the Pivot to Social Media, Jamie Larkin, Andrea Ballatore, and Ekaterina Mityrova
First Approximation of Population Distributions on the International Space Station, Justin St. P. Walsh, Rao Hamza Ali, Alice C. Gorman, and Amir Kanan Kashefi
Submissions from 2022
Automated Identification of Astronauts on Board the International Space Station: A Case Study in Space Archaeology, Rao Hamza Ali, Amir Kanan Kashefi, Alice C. Gorman, Justin St. P. Walsh, and Erik J. Linstead
Postorbital Discard and Chain of Custody: The Processing of Artifacts Returning to Earth from the International Space Station, Justin St. P. Walsh, Alice C. Gorman, and Paola Castaño
Submissions from 2021
Rethinking Museum Shops in the Context of the Climate Crisis, Jamie Larkin
Visual Infrastructures of COVID-19 Messaging, Julia Ross and Claudine Jaenichen
Let’s Talk About Animals, Saskia van Manen, Claudine Jaenichen, Klaus Kremer, Tingyi Lin, and Rodrigo Ramírez
A Method for Space Archaeology Research: the International Space Station Archaeological Project, Justin St. P. Walsh and Alice C. Gorman
Visual Displays in Space Station Culture: An Archaeological Analysis, Justin St. P. Walsh, Alice C. Gorman, and Wendy Salmond
Submissions from 2020
Museums as Realms of (dis)Enchantment, Amy Buono
What is a Museum? Difference all the way down, Fiona Candlin and Jamie Larkin
Coronavirus and Museum Resilience: Some Preliminary Observations, Jamie Larkin
Eternity in Low Earth Orbit: Icons on the International Space Station, Wendy Salmond, Justin Walsh, and Alice Gorman
Submissions from 2019
Review of Visual Voyages: Images of Latin American Nature from Columbus to Darwin, Amy Buono
The Missing Museums: Accreditation, Surveys, and an Alternative Account of the UK Museum Sector, Fiona Candlin, Jamie Larkin, Andrea Ballatore, and Alexandra Poulovassilis
Track 1.b Introduction: Re-Designing Health: Transforming Systems, Practices and Care, Aidan Rowe, Claudine Jaenichen, Gillian Harvey, Kate Sellen, and Stephanie Vandenberg
Viktor Vasnetsov’s New Icons: From Abramtsevo to the Paris “Exposition Universelle” of 1900, Wendy Salmond
Submissions from 2018
Exhibition Review: “Valeska Soares: Any Moment Now”, Amy Buono
"Seu tesouro são penas de pássaro": arte plumária tupinambá e a imagem da América, Amy Buono
Mapping Museums: Preliminary Results on UK Museum Closure, 1960-2017, Jamie Larkin
Submissions from 2017
Review of Peruvian Featherworks: Art of the Precolumbian Era, Amy Buono
Museum Postcards: A Brief History, Jamie Larkin
A Silver Service and a Gold Coin, Justin St. P. Walsh
Submissions from 2016
Museum of Presences, Amy Buono
A Brief History of Non-Profit Retail, Jamie Larkin
“All Museums Will Become Department Stores”: The Development and Implications of Retailing at Museums and Heritage Sites, Jamie Larkin
Embroidery in the Circle of the Last Romanovs, Wendy Salmond
Submissions from 2015
Historicity, Achronicity, and the Materiality of Cultures in Colonial Brazil, Amy J. Buono
The Body in the Museum, Jamie Larkin
"Moving Mortals to Tears and Devotion": Cinzio Passeri Aldobrandini, Torquato Tasso, and the Sorrowing Virgin, Karen J. Lloyd
Review of ‘Artemisia Gentileschi: The Language of Painting’ by Jesse M. Locker, Karen J. Lloyd
Submissions from 2014
Interpretative Ingredients: Formulating Art and Natural History in Early Modern Brazil, Amy Buono
The Gallery Tally Poster Project: A Call for Gender Equity in the Art World, Micol Hebron
Safely into the Unknown? A Review of the Proposals for the Future of English Heritage, Jamie Larkin
Review of Isaak Levitan: Lyrical Landscape by Avril King, Wendy Salmond
Review of The Imagery of the Athenian Symposium, Justin St. P. Walsh
Review of "Vessels and Variety: New Aspects of Ancient Pottery", Justin St. P. Walsh
Athenian Black Glass Pottery: A View from the West, Justin St. P. Walsh and Carla Antonaccio
Submissions from 2013
An Early Modern Recipe Book of Pharmaceutical Recipes, Amy Buono
Review of Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, Amy Buono
Exhibition Review. 'Bernini: Sculpting in Clay', Metropolitan Museum of Art, October 3, 2012-January 6, 2013, Karen J. Lloyd
Submissions from 2012
Critic’s Picks: Tony de los Reyes at Grand Central Art Center, Santa Ana, Micol Hebron
Judy Chicago: Experienced, Micol Hebron
Putting the Words Back into the F-Word: An Interview with Feminist Artists Audrey Chan and Elana Mann, Micol Hebron
Protection of Humanity’s Cultural and Historic Heritage in Space, Justin St. P. Walsh
Review of "Beyond Planet Earth: The Future of Space Exploration", Justin St. P. Walsh
Submissions from 2011
Critic’s Picks: Marilyn Minter, Micol Hebron
Critic’s Picks, Salt Lake City: Jared Steffensen at Nox Contemporary, Micol Hebron
Separation Anxiety at the Wignall Museum of Contemporary Art, Micol Hebron
Submissions from 2010
Critic’s Picks, Los Angeles: Hilja Keading at Angles Gallery, Micol Hebron
Critic’s Picks, Los Angeles: Michael Dopp at Kinkead Contemporary, Micol Hebron
Critic’s Picks, Los Angles: Joe Sola at Happy Lion, Micol Hebron
Critic’s Picks, Los Angles: Stanya Kahn at Susanne Vielmetter, Micol Hebron
Strength in Numbers: Taking the Pulse of the Los Angeles Gallery Scene, Micol Hebron
Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd
Submissions from 2009
1 Image 1 Minute, Micol Hebron
1 Image 1 Minute, Micol Hebron
Critic’s Picks, Los Angles: China Adams at Steve Turner, Micol Hebron
Critic’s Picks, Los Angles: Elisabeth Higgins O’Conner at David Salow Gallery, Micol Hebron
Critic’s Picks, Los Angles: Rachel Khedoori at The Box LA, Micol Hebron
Drama of the Gifted Child: The Five Year Plan, Micol Hebron
Erin Cosgrove: What Manner of Person Art Thou, Micol Hebron
Russian Icons and American Money, 1928-1938, Wendy Salmond
Submissions from 2008
1 Image 1 Minute, Micol Hebron
1 Image 1 Minute, Micol Hebron
1 Image 1 Minute, Micol Hebron
Critic’s Picks, Los Angles: Carleton Watkins at the Getty Museum, Micol Hebron
Critic’s Picks, Los Angles: Dan Bayles at Chung King Project, Micol Hebron
Critic’s Picks, Los Angles: Erin Cosgrove, Micol Hebron
Critic’s Picks, Los Angles: Holly Andres at DNJ Gallery, Micol Hebron
Critic’s Picks, Los Angles: Max Jansons and Elizabeth Tremante, Christopher Grimes Gallery, Micol Hebron
Critic’s Picks, Los Angles: Richard Turner at Grand Central Art Center, Micol Hebron
Critic’s Picks, Los Angles: Tommy Hilding at Angles Gallery, Micol Hebron
Critic’s Picks, Los Angles: Yishai Jusidman at Angles Gallery, Micol Hebron
Locating Placelessness: The Art of Jose Alvaro Perdices, Micol Hebron
Women in the City, Micol Hebron
Review of The Iconostasis of Peter the Great in the Peter and Paul Cathedral in St. Petersburg (1722-1729), Wendy Salmond
Submissions from 2007
1 Image 1 Minute, Micol Hebron
1 Image 1 Minute, Micol Hebron
Amy Bird at Milo Gallery, Micol Hebron
Collectible Moments at Norton Simon Museum, Micol Hebron
Critic’s Picks, Los Angles: Karl Erickson at High Energy Constructs, Micol Hebron
Critic’s Picks, Los Angles: Manual Alvarez Bravo at Rose Gallery, Micol Hebron
Critic’s Picks, Los Angles: Marnie Weber at Patrick Painter, Micol Hebron
Critic’s Picks, Los Angles: Tom LaDuke at Angles, Micol Hebron
Elizabeth Tremante at Central Utah Art Center, Micol Hebron
Incendiary Postcard Art, Micol Hebron
Japanese Video Art, Micol Hebron
Multiple Vantage Points at LA Municipal Art Gallery, Micol Hebron
Ola Pehrson at the Hammer Museum, Micol Hebron
Review of Paul Pfeiffer at MC Kunst, Micol Hebron
Vija Celmins at the Hammer Museum, Micol Hebron
Wack! Art and the Feminist Revolution at MoCA, Micol Hebron
William Pope L. at Santa Monica Museum of Art, Micol Hebron
Submissions from 2006
1 Image 1 Minute, Micol Hebron
1 Image 1 Minute, Micol Hebron
1 Image 1 Minute, Micol Hebron