Submissions from 2022
Project Metamorphosis: Designing a Dynamic Framework for Converting Musical Compositions into Paintings, Rao Hamza Ali, Grace Fong, and Erik Linstead
Submissions from 2013
Review of The Origins of Music, Amy B. Graziano and Julene K. Johnson
Jean-Martin Charcot’s Role in the Nineteenth-Century Study of Music Aphasia, Julene K. Johnson, Marjorie Lorch, Serge Nicolas, and Amy B. Graziano
Submissions from 2012
Hermann Oppenheim's Observations about Music in Aphasia, Amy B. Graziano, Anja Pech, Craig Hou, and Julene K. Johnson
Submissions from 2009
Music Psychology, Amy B. Graziano
Submissions from 2006
Richard Wallaschek's Nineteenth-Century Contributions To the Psychology Of Music, Amy B. Graziano and Julene K. Johnson
The Influence of Scientific Research on Nineteenth-Century Musical Thought: The Work of Richard Wallaschek, Amy B. Graziano and Julene K. Johnson
Submissions from 2003
August Knoblauch and Amusia: A Nineteenth-Century Cognitive Model of Music, Julene K. Johnson and Amy B. Graziano