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Home > Dodge College of Film and Media Arts > Film and Media Arts Faculty Books

Film and Media Arts Faculty Books and Book Chapters

 
Below you may find selected books and book chapters from faculty in the Dodge College of Film and Media Arts.
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  • USA: Wolf Connection and Inclusive, Safe Spaces for All by Patrick Fuery and Kelli Fuery

    USA: Wolf Connection and Inclusive, Safe Spaces for All

    Patrick Fuery and Kelli Fuery

    "Wolf Connection is a wolf sanctuary located on the outskirts of a rural town, Acton, California, nestled in the Angeles National Forest. The sanctuary consists of 165 acres of stunning woodland and high desert mountains, including a year-round stream. It is located within a one-hour drive from Los Angeles. Wolf Connection runs a series of programmes based around issues of mental health, addressing social and economic inequality, and providing strategies for resilience and well-being. Wolf Connection identifies the following as its core business activities: Providing Animal Rescue and Wildlife Preservation; At-Risk Youth Education and Empowerment; Community Empowerment; and Environmental Awareness and Sustainability (see Fig. 1 for one of the wolves at Wolf Connection). This chapter examines these activities as they reflect the UN’s SDG#11."

  • The Films of Bong Joon Ho by Nam Lee

    The Films of Bong Joon Ho

    Nam Lee

    As this timely book reveals, even as Bong Joon Ho has emerged as an internationally known director, his films still engage with distinctly Korean social and political contexts that may elude many Western viewers. The Films of Bong Joon Ho demonstrates how he hybridizes Hollywood conventions with local realities in order to create a cinema that foregrounds the absurd cultural anomie Koreans have experienced in tandem with their rapid economic development. Film critic and scholar Nam Lee explores how Bong subverts the structures of the genres he works within, from the crime thriller to the sci-fi film, in order to be truthful to Korean realities that often deny the reassurances of the happy Hollywood ending. With detailed readings of Bong’s films from Barking Dogs Never Bite (2000) through Parasite (2019), the book will give readers a new appreciation of this world-class cinematic talent.

  • Book of Sides II: Original, Two-Page Scenes for Actors and Directors by David Kost

    Book of Sides II: Original, Two-Page Scenes for Actors and Directors

    David Kost

    Book of Sides II: Original, Two-Page Scenes for Actors and Directors is the second book in the Book of Sides series by Dave Kost, featuring original, two-page, two-character scenes for use in acting, directing, and auditioning classes. While shorter than the traditional three-to-six-page scenes commonly used in classes, Book of Sides II features longer scenes than the first Book of Sides with greater character development, more reversals, and stronger climaxes.

  • Introduction to "Independent Stardom: Freelance Women in the Hollywood Studio System" by Emily Carman

    Introduction to "Independent Stardom: Freelance Women in the Hollywood Studio System"

    Emily Carman

    During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.

    Through extensive, original archival research, Independent Stardom uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.

  • Hollywood and the Law by Eric Hoyt, Paul McDonald, Emily Carman, and Philip Drake

    Hollywood and the Law

    Eric Hoyt, Paul McDonald, Emily Carman, and Philip Drake

    This illuminating collection shows how legal frameworks have shaped the culture and commerce of Hollywood film. Key experts in the field explore how legal instruments, processes and institutions have influenced the conditions in which films are made and sold, and how the film industry has left its own impression on the American legal system.

 
 
 

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ISSN 2572-1496

 
Elsevier - Digital Commons

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