Document Type
Article
Publication Date
Spring 2020
Abstract
This article proposes that Shakespeare uses twinship and marriage in The Comedy of Errors to reflect on the importance of individuality and interrelation in the formation of identity. Specifically, this article shows how The Comedy of Errors sets the twin relation against the marital relation, ultimately implying that marriage—imperfect, everyday marriage—has as much subjective impact as the extraordinary bond between identical twins. As amazing as it might be to see two persons sharing "one face, one voice, one habit," The Comedy of Errors suggests that the twin relation does not surpass in significance the equally marvelous relation whereby husband and wife become "one flesh."
Recommended Citation
Lehnhof, Kent R. "Twinship and Marriage in The Comedy of Errors." SEL Studies in English Literature 1500-1900, vol. 60 no. 2, 2020, p. 277-298. https://doi.org/10.1353/sel.2020.0012
Peer Reviewed
1
Copyright
(c)Rice University. Published by Johns Hopkins University Press.
Included in
Dramatic Literature, Criticism and Theory Commons, Literature in English, British Isles Commons, Theatre History Commons
Comments
This is a pre-copy-editing, author-produced PDF of an article accepted for publication in SEL Studies in English Literature 1500-1900, volume 60, issue 2, in 2020 following peer review. The definitive publisher-authenticated version is available online at https://doi.org/10.1353/sel.2020.0012