Submissions from 2023
The UK Museum Boom: Continuity and Change 1960-2019, Fiona Candlin, Andrea Ballatore, Jamie Larkin, Mark Liebenrood, Alexandra Poulovassilis, and Valeri Katerinchuk
Pyne, Lydia. Postcards: The Rise and Fall of the World’s First Social Network, Jamie Larkin
Museums, COVID-19 and the Pivot to Social Media, Jamie Larkin, Andrea Ballatore, and Ekaterina Mityrova
Submissions from 2022
“A New and Seductive Temptation”: The Introduction of Museum Catalogue Stalls and the Emerging Focus on Public Education, Jamie Larkin
Submissions from 2021
Rethinking Museum Shops in the Context of the Climate Crisis, Jamie Larkin
Submissions from 2020
What is a Museum? Difference all the way down, Fiona Candlin and Jamie Larkin
Empty Time as Traumatic Duration: Towards a Cinematic Aevum, Kelli Fuery
Review of Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar, Kelli Fuery
Coronavirus and Museum Resilience: Some Preliminary Observations, Jamie Larkin
Submissions from 2019
The Missing Museums: Accreditation, Surveys, and an Alternative Account of the UK Museum Sector, Fiona Candlin, Jamie Larkin, Andrea Ballatore, and Alexandra Poulovassilis
Submissions from 2018
Mapping Museums: Preliminary Results on UK Museum Closure, 1960-2017, Jamie Larkin
Submissions from 2017
Museum Postcards: A Brief History, Jamie Larkin
Submissions from 2016
A Brief History of Non-Profit Retail, Jamie Larkin
“All Museums Will Become Department Stores”: The Development and Implications of Retailing at Museums and Heritage Sites, Jamie Larkin
Submissions from 2015
The Body in the Museum, Jamie Larkin
Submissions from 2014
Living Textbook: Cultural Studies to Cultural Industries, Part 2, Kelli Fuery
Living Textbook Fuery: Creativity Spins Off Many Supporting Jobs, Part 3 of 3, Kelli Fuery
Living Textbook: Our Mediated Lives, Kelli Fuery
Safely into the Unknown? A Review of the Proposals for the Future of English Heritage, Jamie Larkin