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"This chapter traces the convergence of 'the revolt against puritanism' and 'the revolt against capitalism' in the 1910s, focusing on the most celebrated American bohemia Greenwich Village - and on The Masses, the Village periodical that provided the most influential expression of the double-edged bohemian revolt. The effort to combine the personal and the political, the artistic and the social helped fuel a host of interconnected movements and alliances within the bohemian milieu, and the bohemians called upon both Marx and Freud in the effort to promote revolutionary change. Often riddled with internal contradictions and susceptible to forces of cultural co-optation and containment, the quest for bohemian liberation in the 1910s inevitably fell short of the Villagers' ambitious, utopian ideals; nevertheless, the bohemians were astute social critics, recognizing that liberation required them to confront interlocking oppressions based on class, gender, nationality, and race. They sought a more inclusive, egalitarian America, and their art and writing - and their legendary exploits, recounted in numerous memoirs continued to inspire later generations of left-leaning artists, writers, and intellectuals."

ISBN

9781316534397

Publication Date

12-2017

Publisher

Cambridge University Press

City

New York, NY

Disciplines

American Popular Culture | Literature in English, North America | Other American Studies | Other English Language and Literature

Comments

In Mark W. Van Wienen (Ed.), American Literature in Transition,1910–1920. Dr. Levin's chapter begins on page 117.

Copyright

Cambridge University Press

Bohemians: Greenwich Village and <em>The Masses</em>

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