Title

No Place Like Home

Document Type

Article

Publication Date

Spring 2006

Abstract

Rebecca Campbell is a woman of letters, with the ability to coolly transform mythological, folkloric, and poetic references into succulent visual allegories that are eminently personal and contemporary. This article considers allegories present in works from Crush as well as in works from some of Campbell’s previous exhibitions.

Comments

This article was originally published in X-tra, volume 8, issue 3, in Spring 2006.

Copyright

X-tra